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THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK
Langer, Marketa ; Veverková, Kamila (advisor) ; Kučera, Zdeněk (referee) ; Weis, Martin (referee)
ThDr. Marketa Langer Praha, 2018 THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK ABSTRACT This thesis looks at the life and work of the artist Frantisek B lek in relation to the theological legacy of Czech Catholic modernism at the end of the nineteenth and early twentieth century over three chapters. Its objective is to answer three questions: Was the artist the mystic he was perceived to be at the time? Can he be termed a modernist? What were his reasons for joining the Czechoslovak Church when it was founded in 1920? The study uses the method of hypotheses which are stated in advance in the questions posed, and then subsequently tested. Another method used is an analysis and comparison of the approach and attitudes of Czech society to the artist during his life. The introductory chapter describes the study's key indicators with a brief description of the issues, and also the form and structure used. Part A looks at the environment during the emergence of modern Europe; in particular the conditions giving rise to the struggle for modernism, the circumstances of the First Vatican Council, the Czech Catholic reform movement and the European modernism movement in relation to the central subject of this thesis, artist Frantisek B lek. Each of the three chapters looks at one...
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THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK
Langer, Marketa ; Veverková, Kamila (advisor) ; Kučera, Zdeněk (referee) ; Weis, Martin (referee)
ThDr. Marketa Langer Praha, 2018 THE THEOLOGICAL LEGACY OF CZECH MODERNISM IN THE LIFE AND WORK OF FRANTIŠEK BÍLEK ABSTRACT This thesis looks at the life and work of the artist Frantisek B lek in relation to the theological legacy of Czech Catholic modernism at the end of the nineteenth and early twentieth century over three chapters. Its objective is to answer three questions: Was the artist the mystic he was perceived to be at the time? Can he be termed a modernist? What were his reasons for joining the Czechoslovak Church when it was founded in 1920? The study uses the method of hypotheses which are stated in advance in the questions posed, and then subsequently tested. Another method used is an analysis and comparison of the approach and attitudes of Czech society to the artist during his life. The introductory chapter describes the study's key indicators with a brief description of the issues, and also the form and structure used. Part A looks at the environment during the emergence of modern Europe; in particular the conditions giving rise to the struggle for modernism, the circumstances of the First Vatican Council, the Czech Catholic reform movement and the European modernism movement in relation to the central subject of this thesis, artist Frantisek B lek. Each of the three chapters looks at one...
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Marketing communication in the beginning Academy of Sciences
Homolková, Lenka ; Klimeš, David (advisor) ; Hrabánková, Markéta (referee)
The work focuses on the origin of the Czech Academy of Emperor Franz Joseph for Science, Literature and Art from the perspective of brand building. The aim of this study is to describe and analyze the factors that created the brand of examined institution in the period between 1890-1908, i.e. during the chairmanship of the first president Josef Hlávka. This objective is achieved through theoretic resources of the branding environment in the institutional field and through approach of the historical context of the 19th and 20th centuries` breakthrough. Within this context, the work focuses on the life of Josef Hlávka, his philanthropic activities and policies, the creation of the institutional foundation of Czech science on which basis could the Czech Academy of Emperor Franz Joseph for Science, Literature and Art arise, and contemporary marketing communications in a given period . Due to the lack of a theoretical base of institutional branding to analyze the brand of the Czech Academy of Emperor Franz Josef for Science, Literature and Art a model of political branding of Paul Fawcett and David Marsh, which is also suitable for institutional branding, was used. Powered by TCPDF (www.tcpdf.org)
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Josef Šusta - President of the Czech Academy of Sciences and Arts (1939-1945)
Formánek, Martin ; Beneš, Zdeněk (advisor) ; Středová, Veronika (referee) ; Svatoš, Martin (referee)
The objective of this dissertation thesis is the life of Czech historian Josef Susta in 1939-1945 . The thesis is concerned with the reasons for the election of the new president of the Czech Academy of Sciences and Arts in 1939. The text analyses the activities of Josef Susta as the head of the scientific institution in the period of the Protectorate of Bohemia and Moravia, as well as the activities of the Academy itself. The thesis finds evidential support of assessment of his activities during the Nazi Occupation. The thesis deals with risky status of elites on the social as well as cultural level in 1939-1945. Interpreting Susta's scientific activities, the thesis provides a complex picture of his personality. In conclusion, the work deals with Susta's suicide as well as whether he considered all risks of the prominent position.
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